One is a longtime Star Trek expert, the other is discovering Star Trek for the first time. Yet, Alpha Waves Radio host Michael Hinman and Screen Fever co-host Adam Barnard are joining forces to host Disco After Party … LIVE! After you watch "Star Trek: Discovery" on CBS All Access at 8:30 p.m. ET/5:30 p.m. PT, join Disco After Party at 10 p.m. ET, right here on ODYSY. The show features analysis, insight, debate, and even what you, the fans, through of that night's episode. And Michael and Adam even troll social media for what's being said once the first wave of viewers have checked in. This limited series runs while "Discovery" is airing new episodes, and airs live at 10 p.m. ET on Thursdays, with encores throughout the week on ODYSY.

<img class="alignleft size-medium wp-image-1191" [...]

<img class="alignleft size-medium wp-image-1191" [...]

Origin We’re just a couple of nerds, looking to have a little fun. Once upon a time not so long ago Lisa, Josh and Nemo met as part of a quirk of fate. Stumbling around in the corporate soup of graveyards at a 24-hour operating lab in Salt Lake City, the bond was instant and peculiar, and was founded on half-cocked mad grabs for fame from the beginning. The podcast idea was the one that we could afford stuck. We don’t know what we’re doing. But hey, we just nerd here. What to Expect from the Podcast We are well aware this is going to be a learn-as-we-go process. That being said, our big objective is to connect with nerds like us, near and far. We want to get to know you and we want feedback on how we’re doing and what we can do better. That being said, here are some things we can guarantee will be part of the show:

• Nerdgasms over things both sundry and various.
• Early 90s nostalgia, both real and manufactured.
• The most entertaining tangents in podcasting. Try and follow along!
• A higher Asian-to-white ratio than you’re used to!
• Interviews with cool and interesting people. (Probably. Eventually.)
• An utter lack of professionalism. Especially from Josh.

Origin We’re just a couple of nerds, looking to have a little fun. Once upon a time not so long ago Lisa, Josh and Nemo met as part of a quirk of fate. Stumbling around in the corporate soup of graveyards at a 24-hour operating lab in Salt Lake City, the bond was instant and peculiar, and was founded on half-cocked mad grabs for fame from the beginning. The podcast idea was the one that we could afford stuck. We don’t know what we’re doing. But hey, we just nerd here. What to Expect from the Podcast We are well aware this is going to be a learn-as-we-go process. That being said, our big objective is to connect with nerds like us, near and far. We want to get to know you and we want feedback on how we’re doing and what we can do better. That being said, here are some things we can guarantee will be part of the show:

• Nerdgasms over things both sundry and various.
• Early 90s nostalgia, both real and manufactured.
• The most entertaining tangents in podcasting. Try and follow along!
• A higher Asian-to-white ratio than you’re used to!
• Interviews with cool and interesting people. (Probably. Eventually.)
• An utter lack of professionalism. Especially from Josh.

From ghosts to Bigfoot to UFO's, 'Paranormal Road' will take you on a journey through the unknown.

From ghosts to Bigfoot to UFO's, 'Paranormal Road' will take you on a journey through the unknown.

From ghosts to Bigfoot to UFO's, 'Paranormal Road' will take you on a journey through the unknown.

One is a longtime Star Trek expert, the other is discovering Star Trek for the first time. Yet, Alpha Waves Radio host Michael Hinman and Screen Fever co-host Adam Barnard are joining forces to host Disco After Party … LIVE! After you watch "Star Trek: Discovery" on CBS All Access at 8:30 p.m. ET/5:30 p.m. PT, join Disco After Party at 10 p.m. ET, right here on ODYSY. The show features analysis, insight, debate, and even what you, the fans, through of that night's episode. And Michael and Adam even troll social media for what's being said once the first wave of viewers have checked in. This limited series runs while "Discovery" is airing new episodes, and airs live at 10 p.m. ET on Thursdays, with encores throughout the week on ODYSY.

X Minus One aired on NBC from 24 April 55 until 9 January 58 for a total of 124 episodes with one pilot or audition story. There was a revival of the series in 1973 when radio was attempting to bring back radio drama and it lasted until 1975. The show occupied numerous time slots through out its run in the 50's and thus was never able to generate a large following. X Minus One was an extension of Dimension X which aired on NBC from 1950-51. The first fifteen scripts used for X Minus One were scripts used in the airing of Dimension X; however, it soon found its own little niche. The stories for the show came from two of the most popular science fiction magazines at the time; Astounding and Galaxy. Adaptations of these stories were performed by Ernest Kinoy and George Lefferts. They even wrote a few original stories of their own. The writers of the magazine stories were not well known then but now are the giants of today. These stories came from the minds of Ray Bradbury, Isaac Asimov, and Poul Anderson to name a few. This series has survived from its original airing in high quality to be enjoyed today.

Become a Patron!https://c6.patreon.com/becomePatronButton.bundle.js

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

[...]

Become a Patron!https://c6.patreon.com/becomePatronButton.bundle.js

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

Become a Patron!https://c6.patreon.com/becomePatronButton.bundle.js

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

Become a Patron!https://c6.patreon.com/becomePatronButton.bundle.js

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

[...]

[...]

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

Tom Corbett is the main character in a series of Tom Corbett — Space Cadet stories that were depicted in television, radio, books, comic books, comic strips, and other media in the 1950s. The stories followed the adventures of Corbett, Astro, and Roger Manning (originally; later, T.J. Thistle), cadets at the Space Academy as they train to become members of the Solar Guard. The action takes place at the Academy in classrooms and bunkrooms, aboard their training ship the rocket cruiser Polaris, and on alien worlds, both within the solar system and in orbit around nearby stars.

X Minus One aired on NBC from 24 April 55 until 9 January 58 for a total of 124 episodes with one pilot or audition story. There was a revival of the series in 1973 when radio was attempting to bring back radio drama and it lasted until 1975. The show occupied numerous time slots through out its run in the 50's and thus was never able to generate a large following. X Minus One was an extension of Dimension X which aired on NBC from 1950-51. The first fifteen scripts used for X Minus One were scripts used in the airing of Dimension X; however, it soon found its own little niche. The stories for the show came from two of the most popular science fiction magazines at the time; Astounding and Galaxy. Adaptations of these stories were performed by Ernest Kinoy and George Lefferts. They even wrote a few original stories of their own. The writers of the magazine stories were not well known then but now are the giants of today. These stories came from the minds of Ray Bradbury, Isaac Asimov, and Poul Anderson to name a few. This series has survived from its original airing in high quality to be enjoyed today.

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

The Whistler is an American radio mystery drama which ran from May 16, 1942, until September 22, 1955, on the west-coast regional CBS radio network. The show was also broadcast in Chicago and over Armed Forces Radio. On the west coast, it was sponsored by the Signal Oil Company: "That whistle is your signal for the Signal Oil program, The Whistler." There were also two short-lived attempts to form east-coast broadcast spurs: July 3 to September 25, 1946, sponsored by the Campbell Soup Company; and March 26, 1947, to September 29, 1948, sponsored by Household Finance. The program was also adapted into a film noir series by Columbia Pictures in 1944.

Become a Patron!https://c6.patreon.com/becomePatronButton.bundle.js

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

Become a Patron!https://c6.patreon.com/becomePatronButton.bundle.js

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

[...]

[...]

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

From TOS to Discovery, TV, movies, novels, comic books.  'Trek 360' discusses every aspect of 53 years of what is 'Star Trek.'

The McSoss podcast takes an honest and comedic look at the comic book side of pop culture. Covering everything from comic books, movies, tv, horror and sci-fi, Paul McGinty, Ian Sharpley and Matt Casale don't pull punches about their fandom's highs and lows or each other's opinions. So come along for the ride and don't be afraid to get a little weird with McSoss.

A nerd boy and his girl bestie compare notes on life and share laughs along the way. Subjects often include commentary on tv, movies, music and more!

A nerd boy and his girl bestie compare notes on life and share laughs along the way. Subjects often include commentary on tv, movies, music and more!

Origin We’re just a couple of nerds, looking to have a little fun. Once upon a time not so long ago Lisa, Josh and Nemo met as part of a quirk of fate. Stumbling around in the corporate soup of graveyards at a 24-hour operating lab in Salt Lake City, the bond was instant and peculiar, and was founded on half-cocked mad grabs for fame from the beginning. The podcast idea was the one that we could afford stuck. We don’t know what we’re doing. But hey, we just nerd here. What to Expect from the Podcast We are well aware this is going to be a learn-as-we-go process. That being said, our big objective is to connect with nerds like us, near and far. We want to get to know you and we want feedback on how we’re doing and what we can do better. That being said, here are some things we can guarantee will be part of the show:

• Nerdgasms over things both sundry and various.
• Early 90s nostalgia, both real and manufactured.
• The most entertaining tangents in podcasting. Try and follow along!
• A higher Asian-to-white ratio than you’re used to!
• Interviews with cool and interesting people. (Probably. Eventually.)
• An utter lack of professionalism. Especially from Josh.

The Crooked Table Podcast has long considered “the world of film from a fresh angle,” but the new version of the show takes that slogan to the next level. With both a newfound focus on fresh voices and perspectives, the show welcomes both professional film critics and passionate fans alike, as we discuss the movies that mean something to them. After all, every film speaks to each person differently, and it’s this fact we’re looking to celebrate. So pull up a chair, and welcome to the Table! If you're interested in appearing on the Crooked Table Podcast, check out our application here, and if you want to show your support for the show, consider contributing to our Patreon page at patreon.com/crookedtable.

One is a longtime Star Trek expert, the other is discovering Star Trek for the first time. Yet, Alpha Waves Radio host Michael Hinman and Screen Fever co-host Adam Barnard are joining forces to host Disco After Party … LIVE! After you watch "Star Trek: Discovery" on CBS All Access at 8:30 p.m. ET/5:30 p.m. PT, join Disco After Party at 10 p.m. ET, right here on ODYSY. The show features analysis, insight, debate, and even what you, the fans, through of that night's episode. And Michael and Adam even troll social media for what's being said once the first wave of viewers have checked in. This limited series runs while "Discovery" is airing new episodes, and airs live at 10 p.m. ET on Thursdays, with encores throughout the week on ODYSY.

X Minus One aired on NBC from 24 April 55 until 9 January 58 for a total of 124 episodes with one pilot or audition story. There was a revival of the series in 1973 when radio was attempting to bring back radio drama and it lasted until 1975. The show occupied numerous time slots through out its run in the 50's and thus was never able to generate a large following. X Minus One was an extension of Dimension X which aired on NBC from 1950-51. The first fifteen scripts used for X Minus One were scripts used in the airing of Dimension X; however, it soon found its own little niche. The stories for the show came from two of the most popular science fiction magazines at the time; Astounding and Galaxy. Adaptations of these stories were performed by Ernest Kinoy and George Lefferts. They even wrote a few original stories of their own. The writers of the magazine stories were not well known then but now are the giants of today. These stories came from the minds of Ray Bradbury, Isaac Asimov, and Poul Anderson to name a few. This series has survived from its original airing in high quality to be enjoyed today.

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

The Whistler is an American radio mystery drama which ran from May 16, 1942, until September 22, 1955, on the west-coast regional CBS radio network. The show was also broadcast in Chicago and over Armed Forces Radio. On the west coast, it was sponsored by the Signal Oil Company: "That whistle is your signal for the Signal Oil program, The Whistler." There were also two short-lived attempts to form east-coast broadcast spurs: July 3 to September 25, 1946, sponsored by the Campbell Soup Company; and March 26, 1947, to September 29, 1948, sponsored by Household Finance. The program was also adapted into a film noir series by Columbia Pictures in 1944.

From ghosts to Bigfoot to UFO's, 'Paranormal Road' will take you on a journey through the unknown.

[...]

The Whistler is an American radio mystery drama which ran from May 16, 1942, until September 22, 1955, on the west-coast regional CBS radio network. The show was also broadcast in Chicago and over Armed Forces Radio. On the west coast, it was sponsored by the Signal Oil Company: "That whistle is your signal for the Signal Oil program, The Whistler." There were also two short-lived attempts to form east-coast broadcast spurs: July 3 to September 25, 1946, sponsored by the Campbell Soup Company; and March 26, 1947, to September 29, 1948, sponsored by Household Finance. The program was also adapted into a film noir series by Columbia Pictures in 1944.

X Minus One aired on NBC from 24 April 55 until 9 January 58 for a total of 124 episodes with one pilot or audition story. There was a revival of the series in 1973 when radio was attempting to bring back radio drama and it lasted until 1975. The show occupied numerous time slots through out its run in the 50's and thus was never able to generate a large following. X Minus One was an extension of Dimension X which aired on NBC from 1950-51. The first fifteen scripts used for X Minus One were scripts used in the airing of Dimension X; however, it soon found its own little niche. The stories for the show came from two of the most popular science fiction magazines at the time; Astounding and Galaxy. Adaptations of these stories were performed by Ernest Kinoy and George Lefferts. They even wrote a few original stories of their own. The writers of the magazine stories were not well known then but now are the giants of today. These stories came from the minds of Ray Bradbury, Isaac Asimov, and Poul Anderson to name a few. This series has survived from its original airing in high quality to be enjoyed today.

<img class="alignleft size-medium wp-image-1191" [...]

The Crooked Table Podcast has long considered “the world of film from a fresh angle,” but the new version of the show takes that slogan to the next level. With both a newfound focus on fresh voices and perspectives, the show welcomes both professional film critics and passionate fans alike, as we discuss the movies that mean something to them. After all, every film speaks to each person differently, and it’s this fact we’re looking to celebrate. So pull up a chair, and welcome to the Table! If you're interested in appearing on the Crooked Table Podcast, check out our application here, and if you want to show your support for the show, consider contributing to our Patreon page at patreon.com/crookedtable.

[...]

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

From ghosts to Bigfoot to UFO's, 'Paranormal Road' will take you on a journey through the unknown.

Origin We’re just a couple of nerds, looking to have a little fun. Once upon a time not so long ago Lisa, Josh and Nemo met as part of a quirk of fate. Stumbling around in the corporate soup of graveyards at a 24-hour operating lab in Salt Lake City, the bond was instant and peculiar, and was founded on half-cocked mad grabs for fame from the beginning. The podcast idea was the one that we could afford stuck. We don’t know what we’re doing. But hey, we just nerd here. What to Expect from the Podcast We are well aware this is going to be a learn-as-we-go process. That being said, our big objective is to connect with nerds like us, near and far. We want to get to know you and we want feedback on how we’re doing and what we can do better. That being said, here are some things we can guarantee will be part of the show:

• Nerdgasms over things both sundry and various.
• Early 90s nostalgia, both real and manufactured.
• The most entertaining tangents in podcasting. Try and follow along!
• A higher Asian-to-white ratio than you’re used to!
• Interviews with cool and interesting people. (Probably. Eventually.)
• An utter lack of professionalism. Especially from Josh.

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

From ghosts to Bigfoot to UFO's, 'Paranormal Road' will take you on a journey through the unknown.

From ghosts to Bigfoot to UFO's, 'Paranormal Road' will take you on a journey through the unknown.

Buck Rogers in the 25th Century was a radio drama series based on the popularity of the popular novel and comics series Buck Rogers. It aired from 1932-1936, 1939, 1940 and 1946-1947, and it was notable for being the first science fiction radio show.

One of several space shows for the boomer kiddies (who were living the beginnings of the real space future themselves), Space Patrol had the distinction of being on TV and radio both, so it was one of the few shows that kids could follow in both mediums. The story lines and characters were the same, and even more amazing, the same performers played both the radio and TV roles! Ed Kemmer played Commander Buzz Corey of the United Planets Space Patrol with vigor and enthusiasm. His sidekick was Cadet Happy, portrayed by Lyn Osborn as something of a futuristic Robin, with lines like "Smokin' rockets, Buzz!" Together they blast off on their ship Terra V to patrol the vast reaches of "outer" space. Of course, a lot of boys thought they might grow up to be like Cadet Happy. Girls liked Carol Karlyle, played by Virginia Hewitt, who was the daughter of a very important leader of the United Planets and was in on the adventures.

Tom Corbett is the main character in a series of Tom Corbett — Space Cadet stories that were depicted in television, radio, books, comic books, comic strips, and other media in the 1950s. The stories followed the adventures of Corbett, Astro, and Roger Manning (originally; later, T.J. Thistle), cadets at the Space Academy as they train to become members of the Solar Guard. The action takes place at the Academy in classrooms and bunkrooms, aboard their training ship the rocket cruiser Polaris, and on alien worlds, both within the solar system and in orbit around nearby stars.

X Minus One aired on NBC from 24 April 55 until 9 January 58 for a total of 124 episodes with one pilot or audition story. There was a revival of the series in 1973 when radio was attempting to bring back radio drama and it lasted until 1975. The show occupied numerous time slots through out its run in the 50's and thus was never able to generate a large following. X Minus One was an extension of Dimension X which aired on NBC from 1950-51. The first fifteen scripts used for X Minus One were scripts used in the airing of Dimension X; however, it soon found its own little niche. The stories for the show came from two of the most popular science fiction magazines at the time; Astounding and Galaxy. Adaptations of these stories were performed by Ernest Kinoy and George Lefferts. They even wrote a few original stories of their own. The writers of the magazine stories were not well known then but now are the giants of today. These stories came from the minds of Ray Bradbury, Isaac Asimov, and Poul Anderson to name a few. This series has survived from its original airing in high quality to be enjoyed today.

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

The Whistler is an American radio mystery drama which ran from May 16, 1942, until September 22, 1955, on the west-coast regional CBS radio network. The show was also broadcast in Chicago and over Armed Forces Radio. On the west coast, it was sponsored by the Signal Oil Company: "That whistle is your signal for the Signal Oil program, The Whistler." There were also two short-lived attempts to form east-coast broadcast spurs: July 3 to September 25, 1946, sponsored by the Campbell Soup Company; and March 26, 1947, to September 29, 1948, sponsored by Household Finance. The program was also adapted into a film noir series by Columbia Pictures in 1944.

The Crooked Table Podcast has long considered “the world of film from a fresh angle,” but the new version of the show takes that slogan to the next level. With both a newfound focus on fresh voices and perspectives, the show welcomes both professional film critics and passionate fans alike, as we discuss the movies that mean something to them. After all, every film speaks to each person differently, and it’s this fact we’re looking to celebrate. So pull up a chair, and welcome to the Table! If you're interested in appearing on the Crooked Table Podcast, check out our application here, and if you want to show your support for the show, consider contributing to our Patreon page at patreon.com/crookedtable.

[...]

[...]

Become a Patron!https://c6.patreon.com/becomePatronButton.bundle.js

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

Become a Patron!https://c6.patreon.com/becomePatronButton.bundle.js

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

<img class="alignleft size-medium wp-image-1191" [...]

The Crooked Table Podcast has long considered “the world of film from a fresh angle,” but the new version of the show takes that slogan to the next level. With both a newfound focus on fresh voices and perspectives, the show welcomes both professional film critics and passionate fans alike, as we discuss the movies that mean something to them. After all, every film speaks to each person differently, and it’s this fact we’re looking to celebrate. So pull up a chair, and welcome to the Table! If you're interested in appearing on the Crooked Table Podcast, check out our application here, and if you want to show your support for the show, consider contributing to our Patreon page at patreon.com/crookedtable.

The Crooked Table Podcast has long considered “the world of film from a fresh angle,” but the new version of the show takes that slogan to the next level. With both a newfound focus on fresh voices and perspectives, the show welcomes both professional film critics and passionate fans alike, as we discuss the movies that mean something to them. After all, every film speaks to each person differently, and it’s this fact we’re looking to celebrate. So pull up a chair, and welcome to the Table! If you're interested in appearing on the Crooked Table Podcast, check out our application here, and if you want to show your support for the show, consider contributing to our Patreon page at patreon.com/crookedtable.

Origin We’re just a couple of nerds, looking to have a little fun. Once upon a time not so long ago Lisa, Josh and Nemo met as part of a quirk of fate. Stumbling around in the corporate soup of graveyards at a 24-hour operating lab in Salt Lake City, the bond was instant and peculiar, and was founded on half-cocked mad grabs for fame from the beginning. The podcast idea was the one that we could afford stuck. We don’t know what we’re doing. But hey, we just nerd here. What to Expect from the Podcast We are well aware this is going to be a learn-as-we-go process. That being said, our big objective is to connect with nerds like us, near and far. We want to get to know you and we want feedback on how we’re doing and what we can do better. That being said, here are some things we can guarantee will be part of the show:

• Nerdgasms over things both sundry and various.
• Early 90s nostalgia, both real and manufactured.
• The most entertaining tangents in podcasting. Try and follow along!
• A higher Asian-to-white ratio than you’re used to!
• Interviews with cool and interesting people. (Probably. Eventually.)
• An utter lack of professionalism. Especially from Josh.

The McSoss podcast takes an honest and comedic look at the comic book side of pop culture. Covering everything from comic books, movies, tv, horror and sci-fi, Paul McGinty, Ian Sharpley and Matt Casale don't pull punches about their fandom's highs and lows or each other's opinions. So come along for the ride and don't be afraid to get a little weird with McSoss.

The Crooked Table Podcast has long considered “the world of film from a fresh angle,” but the new version of the show takes that slogan to the next level. With both a newfound focus on fresh voices and perspectives, the show welcomes both professional film critics and passionate fans alike, as we discuss the movies that mean something to them. After all, every film speaks to each person differently, and it’s this fact we’re looking to celebrate. So pull up a chair, and welcome to the Table! If you're interested in appearing on the Crooked Table Podcast, check out our application here, and if you want to show your support for the show, consider contributing to our Patreon page at patreon.com/crookedtable.

The Crooked Table Podcast has long considered “the world of film from a fresh angle,” but the new version of the show takes that slogan to the next level. With both a newfound focus on fresh voices and perspectives, the show welcomes both professional film critics and passionate fans alike, as we discuss the movies that mean something to them. After all, every film speaks to each person differently, and it’s this fact we’re looking to celebrate. So pull up a chair, and welcome to the Table! If you're interested in appearing on the Crooked Table Podcast, check out our application here, and if you want to show your support for the show, consider contributing to our Patreon page at patreon.com/crookedtable.

The McSoss podcast takes an honest and comedic look at the comic book side of pop culture. Covering everything from comic books, movies, tv, horror and sci-fi, Paul McGinty, Ian Sharpley and Matt Casale don't pull punches about their fandom's highs and lows or each other's opinions. So come along for the ride and don't be afraid to get a little weird with McSoss.

The McSoss podcast takes an honest and comedic look at the comic book side of pop culture. Covering everything from comic books, movies, tv, horror and sci-fi, Paul McGinty, Ian Sharpley and Matt Casale don't pull punches about their fandom's highs and lows or each other's opinions. So come along for the ride and don't be afraid to get a little weird with McSoss.

Buck Rogers in the 25th Century was a radio drama series based on the popularity of the popular novel and comics series Buck Rogers. It aired from 1932-1936, 1939, 1940 and 1946-1947, and it was notable for being the first science fiction radio show.

One of several space shows for the boomer kiddies (who were living the beginnings of the real space future themselves), Space Patrol had the distinction of being on TV and radio both, so it was one of the few shows that kids could follow in both mediums. The story lines and characters were the same, and even more amazing, the same performers played both the radio and TV roles! Ed Kemmer played Commander Buzz Corey of the United Planets Space Patrol with vigor and enthusiasm. His sidekick was Cadet Happy, portrayed by Lyn Osborn as something of a futuristic Robin, with lines like "Smokin' rockets, Buzz!" Together they blast off on their ship Terra V to patrol the vast reaches of "outer" space. Of course, a lot of boys thought they might grow up to be like Cadet Happy. Girls liked Carol Karlyle, played by Virginia Hewitt, who was the daughter of a very important leader of the United Planets and was in on the adventures.

Tom Corbett is the main character in a series of Tom Corbett — Space Cadet stories that were depicted in television, radio, books, comic books, comic strips, and other media in the 1950s. The stories followed the adventures of Corbett, Astro, and Roger Manning (originally; later, T.J. Thistle), cadets at the Space Academy as they train to become members of the Solar Guard. The action takes place at the Academy in classrooms and bunkrooms, aboard their training ship the rocket cruiser Polaris, and on alien worlds, both within the solar system and in orbit around nearby stars.

X Minus One aired on NBC from 24 April 55 until 9 January 58 for a total of 124 episodes with one pilot or audition story. There was a revival of the series in 1973 when radio was attempting to bring back radio drama and it lasted until 1975. The show occupied numerous time slots through out its run in the 50's and thus was never able to generate a large following. X Minus One was an extension of Dimension X which aired on NBC from 1950-51. The first fifteen scripts used for X Minus One were scripts used in the airing of Dimension X; however, it soon found its own little niche. The stories for the show came from two of the most popular science fiction magazines at the time; Astounding and Galaxy. Adaptations of these stories were performed by Ernest Kinoy and George Lefferts. They even wrote a few original stories of their own. The writers of the magazine stories were not well known then but now are the giants of today. These stories came from the minds of Ray Bradbury, Isaac Asimov, and Poul Anderson to name a few. This series has survived from its original airing in high quality to be enjoyed today.

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

The Whistler is an American radio mystery drama which ran from May 16, 1942, until September 22, 1955, on the west-coast regional CBS radio network. The show was also broadcast in Chicago and over Armed Forces Radio. On the west coast, it was sponsored by the Signal Oil Company: "That whistle is your signal for the Signal Oil program, The Whistler." There were also two short-lived attempts to form east-coast broadcast spurs: July 3 to September 25, 1946, sponsored by the Campbell Soup Company; and March 26, 1947, to September 29, 1948, sponsored by Household Finance. The program was also adapted into a film noir series by Columbia Pictures in 1944.

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

The Whistler is an American radio mystery drama which ran from May 16, 1942, until September 22, 1955, on the west-coast regional CBS radio network. The show was also broadcast in Chicago and over Armed Forces Radio. On the west coast, it was sponsored by the Signal Oil Company: "That whistle is your signal for the Signal Oil program, The Whistler." There were also two short-lived attempts to form east-coast broadcast spurs: July 3 to September 25, 1946, sponsored by the Campbell Soup Company; and March 26, 1947, to September 29, 1948, sponsored by Household Finance. The program was also adapted into a film noir series by Columbia Pictures in 1944.

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

The Crooked Table Podcast has long considered “the world of film from a fresh angle,” but the new version of the show takes that slogan to the next level. With both a newfound focus on fresh voices and perspectives, the show welcomes both professional film critics and passionate fans alike, as we discuss the movies that mean something to them. After all, every film speaks to each person differently, and it’s this fact we’re looking to celebrate. So pull up a chair, and welcome to the Table! If you're interested in appearing on the Crooked Table Podcast, check out our application here, and if you want to show your support for the show, consider contributing to our Patreon page at patreon.com/crookedtable.

[...]

From ghosts to Bigfoot to UFO's, 'Paranormal Road' will take you on a journey through the unknown.

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

[...]

[...]

[...]

One is a longtime Star Trek expert, the other is discovering Star Trek for the first time. Yet, Alpha Waves Radio host Michael Hinman and Screen Fever co-host Adam Barnard are joining forces to host Disco After Party … LIVE! After you watch "Star Trek: Discovery" on CBS All Access at 8:30 p.m. ET/5:30 p.m. PT, join Disco After Party at 10 p.m. ET, right here on ODYSY. The show features analysis, insight, debate, and even what you, the fans, through of that night's episode. And Michael and Adam even troll social media for what's being said once the first wave of viewers have checked in. This limited series runs while "Discovery" is airing new episodes, and airs live at 10 p.m. ET on Thursdays, with encores throughout the week on ODYSY.

X Minus One aired on NBC from 24 April 55 until 9 January 58 for a total of 124 episodes with one pilot or audition story. There was a revival of the series in 1973 when radio was attempting to bring back radio drama and it lasted until 1975. The show occupied numerous time slots through out its run in the 50's and thus was never able to generate a large following. X Minus One was an extension of Dimension X which aired on NBC from 1950-51. The first fifteen scripts used for X Minus One were scripts used in the airing of Dimension X; however, it soon found its own little niche. The stories for the show came from two of the most popular science fiction magazines at the time; Astounding and Galaxy. Adaptations of these stories were performed by Ernest Kinoy and George Lefferts. They even wrote a few original stories of their own. The writers of the magazine stories were not well known then but now are the giants of today. These stories came from the minds of Ray Bradbury, Isaac Asimov, and Poul Anderson to name a few. This series has survived from its original airing in high quality to be enjoyed today.

[...]

[...]

X Minus One aired on NBC from 24 April 55 until 9 January 58 for a total of 124 episodes with one pilot or audition story. There was a revival of the series in 1973 when radio was attempting to bring back radio drama and it lasted until 1975. The show occupied numerous time slots through out its run in the 50's and thus was never able to generate a large following. X Minus One was an extension of Dimension X which aired on NBC from 1950-51. The first fifteen scripts used for X Minus One were scripts used in the airing of Dimension X; however, it soon found its own little niche. The stories for the show came from two of the most popular science fiction magazines at the time; Astounding and Galaxy. Adaptations of these stories were performed by Ernest Kinoy and George Lefferts. They even wrote a few original stories of their own. The writers of the magazine stories were not well known then but now are the giants of today. These stories came from the minds of Ray Bradbury, Isaac Asimov, and Poul Anderson to name a few. This series has survived from its original airing in high quality to be enjoyed today.

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

Buck Rogers in the 25th Century was a radio drama series based on the popularity of the popular novel and comics series Buck Rogers. It aired from 1932-1936, 1939, 1940 and 1946-1947, and it was notable for being the first science fiction radio show.

One of several space shows for the boomer kiddies (who were living the beginnings of the real space future themselves), Space Patrol had the distinction of being on TV and radio both, so it was one of the few shows that kids could follow in both mediums. The story lines and characters were the same, and even more amazing, the same performers played both the radio and TV roles! Ed Kemmer played Commander Buzz Corey of the United Planets Space Patrol with vigor and enthusiasm. His sidekick was Cadet Happy, portrayed by Lyn Osborn as something of a futuristic Robin, with lines like "Smokin' rockets, Buzz!" Together they blast off on their ship Terra V to patrol the vast reaches of "outer" space. Of course, a lot of boys thought they might grow up to be like Cadet Happy. Girls liked Carol Karlyle, played by Virginia Hewitt, who was the daughter of a very important leader of the United Planets and was in on the adventures.

Tom Corbett is the main character in a series of Tom Corbett — Space Cadet stories that were depicted in television, radio, books, comic books, comic strips, and other media in the 1950s. The stories followed the adventures of Corbett, Astro, and Roger Manning (originally; later, T.J. Thistle), cadets at the Space Academy as they train to become members of the Solar Guard. The action takes place at the Academy in classrooms and bunkrooms, aboard their training ship the rocket cruiser Polaris, and on alien worlds, both within the solar system and in orbit around nearby stars.

X Minus One aired on NBC from 24 April 55 until 9 January 58 for a total of 124 episodes with one pilot or audition story. There was a revival of the series in 1973 when radio was attempting to bring back radio drama and it lasted until 1975. The show occupied numerous time slots through out its run in the 50's and thus was never able to generate a large following. X Minus One was an extension of Dimension X which aired on NBC from 1950-51. The first fifteen scripts used for X Minus One were scripts used in the airing of Dimension X; however, it soon found its own little niche. The stories for the show came from two of the most popular science fiction magazines at the time; Astounding and Galaxy. Adaptations of these stories were performed by Ernest Kinoy and George Lefferts. They even wrote a few original stories of their own. The writers of the magazine stories were not well known then but now are the giants of today. These stories came from the minds of Ray Bradbury, Isaac Asimov, and Poul Anderson to name a few. This series has survived from its original airing in high quality to be enjoyed today.

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

The Whistler is an American radio mystery drama which ran from May 16, 1942, until September 22, 1955, on the west-coast regional CBS radio network. The show was also broadcast in Chicago and over Armed Forces Radio. On the west coast, it was sponsored by the Signal Oil Company: "That whistle is your signal for the Signal Oil program, The Whistler." There were also two short-lived attempts to form east-coast broadcast spurs: July 3 to September 25, 1946, sponsored by the Campbell Soup Company; and March 26, 1947, to September 29, 1948, sponsored by Household Finance. The program was also adapted into a film noir series by Columbia Pictures in 1944.

<img class="alignleft size-medium wp-image-1191" [...]

The Crooked Table Podcast has long considered “the world of film from a fresh angle,” but the new version of the show takes that slogan to the next level. With both a newfound focus on fresh voices and perspectives, the show welcomes both professional film critics and passionate fans alike, as we discuss the movies that mean something to them. After all, every film speaks to each person differently, and it’s this fact we’re looking to celebrate. So pull up a chair, and welcome to the Table! If you're interested in appearing on the Crooked Table Podcast, check out our application here, and if you want to show your support for the show, consider contributing to our Patreon page at patreon.com/crookedtable.

The Whistler is an American radio mystery drama which ran from May 16, 1942, until September 22, 1955, on the west-coast regional CBS radio network. The show was also broadcast in Chicago and over Armed Forces Radio. On the west coast, it was sponsored by the Signal Oil Company: "That whistle is your signal for the Signal Oil program, The Whistler." There were also two short-lived attempts to form east-coast broadcast spurs: July 3 to September 25, 1946, sponsored by the Campbell Soup Company; and March 26, 1947, to September 29, 1948, sponsored by Household Finance. The program was also adapted into a film noir series by Columbia Pictures in 1944.

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

From ghosts to Bigfoot to UFO's, 'Paranormal Road' will take you on a journey through the unknown.

[...]

Origin We’re just a couple of nerds, looking to have a little fun. Once upon a time not so long ago Lisa, Josh and Nemo met as part of a quirk of fate. Stumbling around in the corporate soup of graveyards at a 24-hour operating lab in Salt Lake City, the bond was instant and peculiar, and was founded on half-cocked mad grabs for fame from the beginning. The podcast idea was the one that we could afford stuck. We don’t know what we’re doing. But hey, we just nerd here. What to Expect from the Podcast We are well aware this is going to be a learn-as-we-go process. That being said, our big objective is to connect with nerds like us, near and far. We want to get to know you and we want feedback on how we’re doing and what we can do better. That being said, here are some things we can guarantee will be part of the show:

• Nerdgasms over things both sundry and various.
• Early 90s nostalgia, both real and manufactured.
• The most entertaining tangents in podcasting. Try and follow along!
• A higher Asian-to-white ratio than you’re used to!
• Interviews with cool and interesting people. (Probably. Eventually.)
• An utter lack of professionalism. Especially from Josh.

The Whistler is an American radio mystery drama which ran from May 16, 1942, until September 22, 1955, on the west-coast regional CBS radio network. The show was also broadcast in Chicago and over Armed Forces Radio. On the west coast, it was sponsored by the Signal Oil Company: "That whistle is your signal for the Signal Oil program, The Whistler." There were also two short-lived attempts to form east-coast broadcast spurs: July 3 to September 25, 1946, sponsored by the Campbell Soup Company; and March 26, 1947, to September 29, 1948, sponsored by Household Finance. The program was also adapted into a film noir series by Columbia Pictures in 1944.

One is a longtime Star Trek expert, the other is discovering Star Trek for the first time. Yet, Alpha Waves Radio host Michael Hinman and Screen Fever co-host Adam Barnard are joining forces to host Disco After Party … LIVE! After you watch "Star Trek: Discovery" on CBS All Access at 8:30 p.m. ET/5:30 p.m. PT, join Disco After Party at 10 p.m. ET, right here on ODYSY. The show features analysis, insight, debate, and even what you, the fans, through of that night's episode. And Michael and Adam even troll social media for what's being said once the first wave of viewers have checked in. This limited series runs while "Discovery" is airing new episodes, and airs live at 10 p.m. ET on Thursdays, with encores throughout the week on ODYSY.

X Minus One aired on NBC from 24 April 55 until 9 January 58 for a total of 124 episodes with one pilot or audition story. There was a revival of the series in 1973 when radio was attempting to bring back radio drama and it lasted until 1975. The show occupied numerous time slots through out its run in the 50's and thus was never able to generate a large following. X Minus One was an extension of Dimension X which aired on NBC from 1950-51. The first fifteen scripts used for X Minus One were scripts used in the airing of Dimension X; however, it soon found its own little niche. The stories for the show came from two of the most popular science fiction magazines at the time; Astounding and Galaxy. Adaptations of these stories were performed by Ernest Kinoy and George Lefferts. They even wrote a few original stories of their own. The writers of the magazine stories were not well known then but now are the giants of today. These stories came from the minds of Ray Bradbury, Isaac Asimov, and Poul Anderson to name a few. This series has survived from its original airing in high quality to be enjoyed today.

Become a Patron!https://c6.patreon.com/becomePatronButton.bundle.js

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

From ghosts to Bigfoot to UFO's, 'Paranormal Road' will take you on a journey through the unknown.

From ghosts to Bigfoot to UFO's, 'Paranormal Road' will take you on a journey through the unknown.

[...]

[...]

Become a Patron!https://c6.patreon.com/becomePatronButton.bundle.js

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

Alpha Waves Radio — all the way back to its SyFy roots On March 28, 2008, with the sounds of an amazing indie band from Tampa, Florida kicking things off, Michael Hinman first took to the air of BlogTalkRadio with his life show — SyFy Radio. An extension of his website, then known as SyFy Portal, Michael invited many of the writers, directors, music composers, producers and even actors from some of the hottest science-fiction shows on television — and even some in theaters. Even when he sold the SyFy brand to NBC Universal in 2009, Michael kept the show going with the rebranded Alpha Waves Radio, to tie it in with his rebranded news site, Airlock Alpha, and the shows kept coming, and the listeners kept tuning in. After more than 100 episodes spanning a five-year period, Michael Hinman hung up his headphones in 2013. But he returned in November 2018, mostly because what else was he going to do to fill Alpha Waves has a new home — Odyssey — but it’s still the same host, Michael Hinman, and his proclivity to bring in some great guests, too. Whether it’s talking to journalists or celebrities, you want to tune in each week and hear what’s being talked about. Otherwise, you’ll be totally lost when it comes time to gather around your office’s watercooler. OK, that might be a little over the top, but you get our drift!

The Crooked Table Podcast has long considered “the world of film from a fresh angle,” but the new version of the show takes that slogan to the next level. With both a newfound focus on fresh voices and perspectives, the show welcomes both professional film critics and passionate fans alike, as we discuss the movies that mean something to them. After all, every film speaks to each person differently, and it’s this fact we’re looking to celebrate. So pull up a chair, and welcome to the Table! If you're interested in appearing on the Crooked Table Podcast, check out our application here, and if you want to show your support for the show, consider contributing to our Patreon page at patreon.com/crookedtable.

[...]

One is a longtime Star Trek expert, the other is discovering Star Trek for the first time. Yet, Alpha Waves Radio host Michael Hinman and Screen Fever co-host Adam Barnard are joining forces to host Disco After Party … LIVE! After you watch "Star Trek: Discovery" on CBS All Access at 8:30 p.m. ET/5:30 p.m. PT, join Disco After Party at 10 p.m. ET, right here on ODYSY. The show features analysis, insight, debate, and even what you, the fans, through of that night's episode. And Michael and Adam even troll social media for what's being said once the first wave of viewers have checked in. This limited series runs while "Discovery" is airing new episodes, and airs live at 10 p.m. ET on Thursdays, with encores throughout the week on ODYSY.

X Minus One aired on NBC from 24 April 55 until 9 January 58 for a total of 124 episodes with one pilot or audition story. There was a revival of the series in 1973 when radio was attempting to bring back radio drama and it lasted until 1975. The show occupied numerous time slots through out its run in the 50's and thus was never able to generate a large following. X Minus One was an extension of Dimension X which aired on NBC from 1950-51. The first fifteen scripts used for X Minus One were scripts used in the airing of Dimension X; however, it soon found its own little niche. The stories for the show came from two of the most popular science fiction magazines at the time; Astounding and Galaxy. Adaptations of these stories were performed by Ernest Kinoy and George Lefferts. They even wrote a few original stories of their own. The writers of the magazine stories were not well known then but now are the giants of today. These stories came from the minds of Ray Bradbury, Isaac Asimov, and Poul Anderson to name a few. This series has survived from its original airing in high quality to be enjoyed today.

<img class="alignleft size-medium wp-image-1191" [...]

Origin We’re just a couple of nerds, looking to have a little fun. Once upon a time not so long ago Lisa, Josh and Nemo met as part of a quirk of fate. Stumbling around in the corporate soup of graveyards at a 24-hour operating lab in Salt Lake City, the bond was instant and peculiar, and was founded on half-cocked mad grabs for fame from the beginning. The podcast idea was the one that we could afford stuck. We don’t know what we’re doing. But hey, we just nerd here. What to Expect from the Podcast We are well aware this is going to be a learn-as-we-go process. That being said, our big objective is to connect with nerds like us, near and far. We want to get to know you and we want feedback on how we’re doing and what we can do better. That being said, here are some things we can guarantee will be part of the show:

• Nerdgasms over things both sundry and various.
• Early 90s nostalgia, both real and manufactured.
• The most entertaining tangents in podcasting. Try and follow along!
• A higher Asian-to-white ratio than you’re used to!
• Interviews with cool and interesting people. (Probably. Eventually.)
• An utter lack of professionalism. Especially from Josh.

From ghosts to Bigfoot to UFO's, 'Paranormal Road' will take you on a journey through the unknown.

[...]

Become a Patron!https://c6.patreon.com/becomePatronButton.bundle.js

Dimension X was first heard on NBC April 8, 1950, and ran until September 29, 1951. Strange that so little good science fiction came out of radio; they seem ideally compatible, both relying heavily on imagination. Some fine isolated science fiction stories were developed on the great anthology shows, Suspense and Escape. But until the premiere of Dimension X -- a full two decades after network radio was established -- there were no major science fiction series of broad appeal to adults. This show dramatized the work of such young writers as Ray Bradbury, Robert (Psycho) Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In-house script writer was Ernest Kinoy, who adapted the master works and contributed occasional storied of his own. Dimension X was a very effective demonstration of what could be done with science fiction on the air. It came so late that nobody cared, but some of the stories stand as classics of the medium. Bradbury's "Mars Is Heaven" is as gripping today as when first heard. His "Martian Chronicles" was one of the series' most impressive offerings. Dimension X played heavily on an "adventures in time and space, told in future tense" theme. Actors who worked regularly on the show included Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams. It was directed by Fred Weihe and Edward King. The deep-voiced narrator was Norman Rose.

<img class="alignleft size-medium wp-image-1191" [...]

Origin We’re just a couple of nerds, looking to have a little fun. Once upon a time not so long ago Lisa, Josh and Nemo met as part of a quirk of fate. Stumbling around in the corporate soup of graveyards at a 24-hour operating lab in Salt Lake City, the bond was instant and peculiar, and was founded on half-cocked mad grabs for fame from the beginning. The podcast idea was the one that we could afford stuck. We don’t know what we’re doing. But hey, we just nerd here. What to Expect from the Podcast We are well aware this is going to be a learn-as-we-go process. That being said, our big objective is to connect with nerds like us, near and far. We want to get to know you and we want feedback on how we’re doing and what we can do better. That being said, here are some things we can guarantee will be part of the show:

• Nerdgasms over things both sundry and various.
• Early 90s nostalgia, both real and manufactured.
• The most entertaining tangents in podcasting. Try and follow along!
• A higher Asian-to-white ratio than you’re used to!
• Interviews with cool and interesting people. (Probably. Eventually.)
• An utter lack of professionalism. Especially from Josh.